Jane Eyre de Cary Fukunaga

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La BA : http://intothescreen.blogspot.com/2010/11/affiche-bande-annonce-jane-eyre-de-cary.html

Jane Eyre de Cary Fukunaga - Page 2 443796

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Citation :: New Photos: Cary Fukunaga’s ‘Jane Eyre’ Starring Mia Wasikowska & Michael Fassbender

With its release just around the corner, “Sin Nombre” director Cary Fukunaga‘s adaptation of Charlotte Brontë‘s classic novel “Jane Eyre” has now unveiled a host of new images featuring a first look at the majority of the supporting cast members.

Led by Mia Wasikowska and Michael Fassbender who’ll play the titular character and her love interest Mr. Rochester respectively, the project also co-stars Jamie Bell, Judi Dench, Sally Hawkins, Imogen Poots, Holliday Grainger and Tamzin Merchant for the story of a young governess in 19th century England who falls for her employer, and this adaption of the novel will reportedly play up the novel’s darker, gothic sensibilities that have rarely been explored on the screen.

Of the major supporting cast members, Bell will play
St. John Rivers, Eyre’s clergyman cousin; Dench will play Mrs. Fairfax,
the housekeeper of Thornfield Manor who disapproves of Eyre’s
engagement with Rochester; Hawkins will portray Eyre’s aunt Mrs. Reed
who adopts her but abuses and neglects her; while Poots and Grainger
will play Diana and Mary Rivers, sisters to St. John. A full synopsis of
Fukunaga’s adaptation further details the story as follows:

Based on Charlotte Brontë’s classic novel, the romantic
drama stars Mia Wasikowska (“Alice in Wonderland”) and Michael
Fassbender (“Inglourious Basterds”) in the lead roles. In the story,
Jane Eyre flees Thornfield House, where she works as a governess for
wealthy Edward Rochester. The isolated and imposing residence – and Mr.
Rochester’s coldness – have sorely tested the young woman’s resilience,
forged years earlier when she was orphaned. As Jane reflects upon her
past and recovers her natural curiosity, she will return to Mr.
Rochester – and the terrible secret that he is hiding…

The script was written, somewhat worryingly, by “Tamara Drewe” scribe Moira Boiffini, but will see Fukunaga reunite with his ‘Nombre” cinematographer Adriano Goldman with Alison Owen and Paul Trijbits of Ruby Films producing in conjunction with BBC Films and Focus Features. Shooting on “Jane Eyre” took place early last year with the film set to finally hits theaters on March 11th. [Focus via ONTD]

http://blogs.indiewire.com/theplaylist/archives/new_photos_cary_fukunagas_jane_eyre_starring_mia_wasikowska_michael_fassben/

Utilisateur Messages : 18454 Date d'inscription : 07/12/2009 Localisation : 9-3

Un excellent retour sur le film d'une journaliste ciné qui l'a vu sans avoir jamais lu le roman de Charlotte Brontë. C'est intéressant puisqu'il le film est prit pour ce qu'il est en tant que tel sans aucune référence à l'oeuvre littéraire.

Citation :: Review: Cary Fukunaga's 'Jane Eyre' is a Near-Scary Romantic Thriller

March 30, 2011
by Cate Hahneman

I want to preface this review with the fact that I have never read Charlotte Bronte's Jane Eyre and I knew nearly nothing of the plot before attending a showing of director Cary Joji Fukunaga's latest version of Jane Eyre for the big screen. Lucky me. Going into Jane Eyre
completely unaware allowed for a thrilling, organic experience; the
plot unraveled before my eyes, the dialogue was fresh and sharp, and the
mystery remained just that until the climactic finale. Which is why I
would suggest to any and all who have never read of (or cared about) the
story of Jane Eyre to let this film be their first exposure. It's worth every penny.
The plot follows the life of a plain-looking girl named Jane Eyre (played by Mia Wasikowska)
whose miserable childhood sees her cast out by an aunt and abused in a
strict boarding school before landing at Thornfield Hall, an estate
where she is to be a governess. There Jane bewitches the handsome master
of the household, Rochester (the brooding Michael Fassbender)
but the more he falls in love with the young woman the more Jane is
spooked by the strange occurrences in the mansion. Without giving too
much away, Jane is awoken several nights to the sounds of a figure
wandering the halls, horrifying screams, an attack on a Thornfield
guest, and much more. Fukunaga's Jane Eyre traps its Gothic romance in a haunted house and the result is both thrilling and nerve-racking.
Screenwriter Moira Buffini's incredible adaptation restructures the
narrative of Bronte's piece, whisking together a mixed chronology that
only enhances the film's suspense. The movie opens on the titular Jane
desperately running away – but from where we can't be sure. A voice
shouts out her name, the echo of which hangs frozen in the air.
Cinematographer Adriano Goldman
shoots Jane on the bleak landscape of dead grass and grey skies; as the
young girl flees she's belittled by the rolling hills, nothing more
than a speck, that is until Dario Marianelli's somber score rushes like a
cold wind, sweeping the audience into Jane's journey. We're going with
her.
After spooking Rochester's horse on the road to Thornfield Hall, Jane
must accompany her injured employer for a fireside chat. Rochester
asks his governess to divulge her 'tale of woe' – the
grim details of her destitute and unprivileged life – but Ms. Eyre won't
say a word. Jane is a fiercely independent woman who refuses to allow
the abuses and subordinations of her childhood to define her. Rochester
smirks, intrigued; no tale of woe can stay hidden forever. The moment
lingers – a revealing anecdote that links the two very separate parts of
this story: mystery and romance.
Though many have played Jane Eyre in countless film adaptations
before her, Mia Wasikowska's portrayal of the deprived yet passionate
governess is entirely engrossing. She's physically timid but has the
strength of wit that challenges the guarded Mr. Rochester, played as
curt and near sinister by Michael Fassbender. The pair verbally spar
with delectable dialogue that Buffini has converted from Bronte's book;
don't let the Victorian-era intimidate you – the script is as sharp and
easy to understand as anything well written today. Fassbender is coarse
and impudent while Wasikowska is steadfast and refined. In fact, I
might say that my only complaint is that I wished Wasikowska's Jane
wasn't quite so subtle with her longing of Rochester; at times it seems
as if his love will remain unrequited. She does, however, float through
the domineering halls of Thornfield white as a ghost, petrified yet
curious enough to maintain the audience's attention. Fassbender
captivates throughout, his allure masking the dark secrets of his estate
for nearly the entire film.
A few other noteworthy actors give strong performances in Fukunaga's bleak and tempestuous Jane Eyre: Dame Judi Dench is Mrs. Fairfax, the benevolent keeper of Thornfield Hall, while Jamie Bell
appears as St. John Rivers, a young minister who gives Jane shelter
during her desperate need. Others to leave their mark on the film
include Sally Hawkins as Jane's wretched aunt and Simon McBurney as the self-righteous head of Lowood Institution.
I'm approaching this latest incarnation of Bronte's beloved novel
from the unique perspective of having never read the classic literature
favorite nor seen any previous versions. I am not able to comment on
the degree to which Fukunaga's version is true (though I hear it's a
particularly accurate rendition) but in the end, I don't think that
matters. This Jane Eyre can speak for itself, presenting a
dichotomous 'tale of woes' to completely fresh eyes. I was fascinated by
the love affair of two intellectual equals whose desires challenge the
social norms of the period, and I was enthralled by what lay hidden
behind the tapestry (you'll see what I mean.) It's a difficult task to
make the hearts of your audience race both in rapture and suspense, but the stark moodiness of Fukunaga's Jane Eyre succeeds on each count.

http://www.firstshowing.net/2011/review-cary-fukunagas-jane-eyre-is-a-near-scary-romantic-thriller/

» It de Cary Fukunaga
» Cary Joji Fukunaga
» Explorers ( d'aprés le film de Joe Dante) par Cary Fukunaga et David Lowery
» Maniac de Cary Fukunaga avec Emma Stone et Jonah Hill ( Netflix )
» Jane Got a Gun